Friday 21 November 2008

http://www.scena.org/blog/2008_08_24_archive.html

Wednesday, August 27, 2008
In a critical condition (5)

When the versatile writer Alan Brien died in May this year, obituarists reminded us that he was the first person to be hired in 1960 by the new-founded Sunday Telegraph, in the post of drama critic. 'On this we can build,' the editor is supposed to have declared as, around Brien, he formed a team of witty, incisive and never-too-sententious Sunday writers.

Couldn't happen now, I hear you say. No paper would ever construct itself around an arts critic, and no critic could ever be held to personify a newspaper in the way that Brien did, or Neville Cardus on the Manchester Guardian, Marcel Reich-Ranicki on the Frankfurter Allgemeine, Pauline Kael on the New Yorker, and others of a golden age.

Or could it? We keep hearing media executives talk of innovation when they mean sackings - the latest to use this euphemism is the boss of The Age and Sydney Morning Herald in Australia, where 550 jobs are about to go.

But innovation is not made overnight. It comes from the experience and wisdom of newspaper veterans who have seen it all before and know what works and what won't. Getting rid of good critics is a symptom of media death wish. It declares that a newspaper has no sense of its past, present or future, and no conversation with its readers.

A newspaper that cherishes and promotes its critics - as The Scotsman does, for instance, during the Edinburgh Festival - offers readers a reliable benchmark against which they can measure their own reactions and opinions to things they have seen and heard. The Scotsman deploys its critical team strategically in festival time as a way of setting itself apart from the range of free newspapers that flood the city streets.

In Salzburg, likewise, the local Nachrichten is read more closely during festival time than any of the national or international papers because its critics provide a clearer context day by day of events in the present festival against triumphs of the past. Their value cannot be measured purely in payroll terms.

True, few critics these days have the fame or clout that Brien, Cardus and Reich-Ranicki did in their pomp, but arts critics still form the thin blue line between a newspaper of value and a throwaway sheet.

They can be, in the public perception, the soul of a newspaper or at the very least its conscience. Executives who ignore that truth will follow the critics they fire very rapidly onto the nearest dole queue.

Source: Artsjournal


posted by Norman Lebrecht at 3:22 PM

http://www.lobster-magazine.co.uk/Profumo.html

www.iconocast.com

Reunited after 64 years: RAF gunners who thought each other had ...15 Jul 2008 ... Evening Post, UK - Jul 21, 2008 ... The fifth son of a tramways inspector, Alan Brien was born on March 12 1925 and educated at Bede Grammer ...
www.iconocast.com

From The Times November 20, 2008

Memorial service: Alan Brien

There was much laughter in church, when a tape recording was played of Alan Brien’s last appearance on Quote Unquote.

“Violence is the repartee of the illiterate,” was the quotation presented to him. He was mystified. Could it be George Bernard Shaw, Brien wondered. Or Chesterton, perhaps? Whereupon Nigel Rees had to reveal that Brien himself had written those words in 1971.

The broadcaster Paul Vaughan, an Oxford contemporary, spoke of Brien’s brilliantly aphoristic leading articles when he was editor of Isis, and about the time Randolph Churchill introduced Alan to Evelyn Waugh. “I’ve just written your profile for Truth,” said Brien. Waugh ignored him, but later wrote to a friend, “Randolph hired a Jew to insult me in White’s.”

Brien’s Sunderland background was echoed in songs sung by Bob Davenport, the Tyneside folk singer. His fourth wife Jane remembered that he could be mistaken in the street for Sean Connery or Liberace at various times, and was able to say: “The fact is, Alan was very entertained by himself. He was rarely unhappy.”

Terry Jones read one of his favourite poems, My Beloved Compares Herself to a Pint of Stout, by Paul Durcan, and Valerie Grove recalled one of his 1960s essays in the New Statesman, remarking on how London’s shop names resembled a nanny addressing her charge in Kensington Gardens: “Don’t be so selfridge, Master Fortnum. Eat up all your harrods, and then you can have a gorringe. You’ll do yourself a gamage, mark my words, unless you have a c.c. and a. every morning on the derry and tom. Ponting is rude. I knew a child once died of the whiteleys after eating too many burberries.” VG

A memorial service for Alan Brien was held on November 19 at St Paul’s Church, Covent Garden. The Rev Simon Grigg, rector, officiated and said the bidding prayers.

Mr Terry Jones read My Beloved Compares Herself to a Pint of Stout by Paul Durcan; Mr Nigel Wild read Alan Brien’s Diary, from The Sunday Times, June 18, 1972; Mrs Valerie Grove read a piece written by Alan, published in the New Statesman, May 23, 1969, and gave an address, along with Ms Jane Hill, widow, and Mr Paul Vaughan.

During the service Mr Bob Davenport sang Herrin’s Head; Jerusalem by William Blake, to the traditional tune; The Rose Tree; and The Drum (Retort on Mordent’s The Call) by John Scott of Amwell, accompanied by Mr Roger Digby, anglo concertina. Ms Susie Honeyman, violin, performed her own composition entitled In the Boiler Room and a recording of the Morriston Orpheus Choir of Wales singing The Internationale from The Road to Wigan Pier was played. Recordings of Violence is the Repartee of the Illiterate from Radio 4, 1985, and Sacred Cows an extract from Face Your Image, presented by David Dimbleby in 1974, were also played.

Among others present were: Mr and Mrs Adam Brien (son and daughter-in-law), Mr and Mrs John Mckelvie, Mr and Mrs Richard Arison, Mr and Mrs Stuart Verrilli (sons-in-law and daughters), Ms Alyson Brien (daughter), Mrs Joyce Hill (mother-in-law), Mr Peter Hill (brother-in-law), Mrs Alexa Gilpin Hill (sister-in-law), Ms Lucy Gilpin Hill (niece), Mrs Muriel Halls, Miss Amy McKelvie, Miss Esther McKelvie, Miss Isabella Arison, Mr Jack Arison, Miss Megan Brien, Mr Josh Brien and Burt Brien (grandchildren), Mr Malcolm Carr, Captain Phillip Carr with other members of the family.

Sir Arnold and Lady Wesker, Mr Trevor Grove, Ms Andrea Galer, Ms Jane Bond, Mr and Mrs David Stone, Mr and Mrs George Carey, Mr and Mrs Jack Waterman, Mr Nathan Silver, Ms Roxy Beaujolais, Ms Deborah Moggach, Ms Catherine Rickman, Mr Felix Jay, Mrs Margaret Legg, Ms Fiona Legg, Mr Jock McFadyen, Ms Annie Morag McFadyen, Mr and Mrs Karl Miller, Ms Petra Markham, Mr David Walsh, Mr Philip Purser, Mr John Spurling, Ms Jean Lovell Davis, Ms Anna Soderstrom, Ms Carole Holland, Ms Sarah Holland, Ms Julia Holland, Ms Gilly Oakes, Ms Mary Kenny, Ms Marjorie Wallace, Mr Ken Lukowiak, Ms Kersti French, Ms Nicci Gerrard, Mr Sean French, Ms Ursula Owen, Ms Jo Batterham, Mr and Mrs Grenville Robinson, Mr Graham Binmore, Mr Jo Simon, Mr Ian Christie, Mr and Mrs Wally Fawkes, Mr Ronnie Payne, Ms Celia Haddon, Mr Nigel Rees, Ms Julia Hobsbawm, Ms Teresa Grimes, Ms Harriet Green, Ms Yeen Au, Ms Lynn Barber, Ms Mary Clemmey, Mr Ernie Eban, Ms Victoria Glendinning, Ms Anne Holmes-Drewry, Ms Alison Telfer, Ms Diana Melly, Ms Angela Neustatter, Mr and Mrs Philip Thomas, Ms Finola Quinn, Ms Estella Weldon, Ms Eleanor Bron, Mr David Maccoby, Mr Christopher Gardner, Ms Monica Petzal, Ms Olivia Fane, Mr and Mrs Paul Johnson, Ms Carolyn Gowdy, Ms Monica Petzal, Mr Joseph Steeples, Mr Daniel Carrier, Mr John Forman, Ms Emma Gibson, Mr Graham Tayar, Mr Paul Shearsmith, Ms Rachel Miller, Mr David Croft, Ms Maria Wakely, Ms Naomi Fabian Miller, Ms Serena Inskip, Ms Celia Lowenstein, Mr Godfrey Smith, Mr Peter Preston, Mr and Mrs McGrath, Mr Michael Leapman, Ms Pippa Vaughan, Mr and Mrs Bernard Carnell, Mr Gerald Wakelin, Mr Ivor Samuels, Ms Elspeth Hamilton, Mr Christopher Cross, Mr Phil Grey, Ms Vicki Jung, Ms Jane McAusland, Mr Colin Crewe, Ms Josephine Marston, Mrs Pat Hutchison, Mr Nick Callow, Ms Mary Morrison, Mr Steve Swannell, Ms Melissa Pow, Mr Robert Robinson, Mr Al Alvarez, Ms Irma Kurtz, Ms Jane Brown, Mr Don Cameron, Mr and Mrs Hilary Rubinstein, Ms Shirley Conran, Ms Dorothy Rowe, Ms Joan Bakewell, Ms Nina Bawden, Mr Russell Enoch, Ms Katharine Whitehorn, Mr Hunter Davis, Ms Margaret Forster, Ms Cynthia Kee, Ms Claire Tomalin, Mr Michael, Frayn, Mr and Mrs Herbert Kretzmer, Mr and Mrs Jay Landesman, Mr Lewis Wolpert, Mr David Galliford, Mr and Mrs John Mortimer, Mrs Gladys Glascoe Mr Philip French (Critics Circle), Mr Mark Le Fanu (Society of Authors), Ms Eileen Gunn (general secretary, Royal Literary Fund) together with many more friends and former colleagues.

Evening Standard: The Londoner's Diary, 20th November 2008

* VETERAN jazzman Wally Fawkes played the clarinet in the Garrick Club yesterday afternoon, following a memorial service for Alan Brien, critic and columnist for The Spectator, Punch, the New Statesman and The Sunday Times. It's thought to be a first for the crusty old Covent Garden watering hole. One or two members claimed Fawkes hadn't played for years, but Londoner's Diary readers will recall that he performed at the launch of Humphrey Lyttelton's posthumous book only last month. Although Brien was a member of the Garrick, he refused to wear a tie when he didn't feel like it, until he was persuaded to resign.

I posted a comment to say Alan didn't resign because of a tie - he happily wore a bow tie after all - he resigned because the club wouldn't allow women members.